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Romeo Gigli is an Italian fashion designer who was described in the late 1980s as singlehandedly changing the course of fashion by the . Gigli was one of the first designers to show a mix of other designers' work in his stores. For instance, in his Milan boutique his designs were combined with those designed by Jean Paul Gaultier and Sybilla.
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Vintage Romeo Gigli Women Suit 2 Set Skirt Blazer Jacket Pure Virgin Wool Made in Italy Size IT 42 UK 10 multicolor purple. (102) $350.00. FREE shipping. ROMEO GIGLI Jeans - Cotton plaid open shirt with pockets. Size M/L. Vintage 1990. Made in Italy. $108.51. FREE shipping.
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The brand Romeo Gigli revolutionized the way of conceiving fashion by offering throughout all of the '80s exaggerations, travelling, timeless and diaphanous women. The creations signed by Romeo Gigli have been capable of fascinating, with the very first collection, New York and Milan's catwalks since 1983, within the official prêt-à-porter.
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In 1993, Romeo Gigli introduced a new line, the G GIGLI (G for giovane) Line of clothes, including jackets and trousers, that is interchangeable for both women and men. It is for young people. Romeo Gigli produces clothes that are always subtle and sophisticated. He blends a spectrum of muted colors with a fluid sense of cut and drape to give a.
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Romeo Gigli exhibited use of draping and oversized silhouettes in a way that was flattering and feminine. The same can be seen here in this G Gigli piece from the early '90s, a line for a younger crowd that was more accessible. His designs were feminine but never sexual or ostentatious. Yet, he was able to bring out the softness and kind beauty.
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At some point in the mid-'80s, Romeo Gigli and Carla Sozzani were apparently an item. As Gigli tells it, Carla started doing Gigli's PR in return for a 10% stake in the company. Sozzani also brought in a third partner, Donato Maino, to whom Gigli willingly signed away a further 25% of the company in return for Maino's business expertise.
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Gigli used color lavishly, often with moody, painterly tones. His models typically wore their hair pulled back simply and their makeup barely there. And he loved a flat shoe, the better to create an aura of otherworldly wafting. Christy Turlington in a Romeo Gigli look, photographed by Arthur Elgort for a 1988 issue of Vogue.
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All Romeo Gigli Collections Spring 1990 Ready-to-Wear The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com.
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Iconic '80s stylist Romeo Gigli revolutionised the fashion industry with his range of romantic, conceptual creations, inspired by times long gone and lands far away. The historic Italian brand continues to wow with blazers, trousers and evening dresses. And don't miss the brand's padded jackets and shoes either: no wardrobe is complete.
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Romeo Gigli (Italian, born 1949) ca. 1986. Ensemble. Romeo Gigli (Italian, born 1949) ca. 1992. Jacket. Romeo Gigli (Italian, born 1949) ca. 1990. Resources for Research. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
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Romeo Gigli. Romeo Gigli. Born. 1949 (age 73-74) Castel Bolognese, Italy. Occupation. Fashion designer. Romeo Gigli (born 1949) is an Italian fashion designer who was described in the late 1980s as singlehandedly changing the course of fashion by the Los Angeles Times. [1]
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The trend-setting Milanese catwalks in 1986 were populated by aggressive managerial women dressed "to kill" in severely tailored suits with broad shoulders that meant "business." The "Dress for Success" look was the expression of a rampant "yuppie" society that relegated femininity to the domestic walls. In stark contrast, Romeo Gigli's pale, delicate, long-necked and.
Romeo Gigli RTW S/S 1995
The Trials of Romeo. Romeo Gigli is once again in a legal battle with his business partners, this time with previous and current owners IT Holding and Fratelli Prandina.
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Sometimes, the clothes themselves provide an aural undertow, swishing, rustling, crinkling or, for Romeo Gigli's Spring/Summer 1990 presentation, tinkling, like wind chimes. Kirsten Owen, the model embodiment of Gigli's fragile, romantic ideal, appeared on the runway in an outfit wrapped in a fringe of large glass beads from the island of.